You may not understand The Behemoth’s orthodoxy because you are viewing art and poetry, not a theological exegesis or apologetic argument.
I have not been all that excited about any [Christian-based] magazine publication in a long time, though I do read most of them in some form or another. I don’t read any in paper form anymore (yet, most of you still snail mail it out to me every month in a colossal waste of paper, but that’s another topic). Most publications are pretty good. They range from hard hitting news around the world all the way to fluff on whether the Church should use Twitter or listen to U2. Many of them have great journalistic and editorial articles, but they seldom conjure up thoughts like, “I just can’t wait until the next issue hits my iPad.” Never has one actually brought me to the point of wanting to write a review about the publication itself either, until now.
Enter The Behemoth. What actually sucked me in to this publication was this article, Hitting a Major League Pitch, Looking at the physics, you’d have to say it can’t be done, not its namesake article based on the Genesis giant. My first thought was, “Could it actually be that someone of faith pulled in the statistical grace and beauty of baseball as might be written by a Roger Angell, and the poetic dance of words as might be felt by a Mary Oliver, and then tied it, weaved it, knitted it into the story God is writing Himself here on earth?” For the most part, yes, that is my overall opinion and review of The Behemoth and that was all it took for me.
So, from a reader’s perspective, what is it that makes The Behemoth a successful publication? Why do I look forward to each issue?
In our world distraction rules. I look and seek out those things that have gone the extra mile to create a clean, clutter-free, pleasing, distraction free experience. A “typography” that takes me deeper into the task at hand, not one that conforms to the rules of distraction. That’s what I love about @iAWriter, it’s why I’m writing this on @Medium, it’s what I love about the new ESV Reader’s Bible, it’s why Helvetica still conquers all. They all created an experience using intentional design through sophisticated simplicity. In this case, when referring to typography I use the term in the general sense. That is to say, I refer not to a typeset they choose, but how the designers intentionally choose to interact with their consumer. The designers created The Behemoth with intention, and it shows. On the iPad, The Behemoth is periodical typography eye candy.
Highly important to me, The Behemoth is an all-digital publication (no paper-waste-clutter-junk). Each issue contains four articles, a web-gem-type piece, and each article is around 1,500 words or less, some much less. Word length is very important today. At 1,500 words it’s a real sweet spot that allows a reader to find enough depth to sink in and become briefly lost among the words, but short enough for our small attention spans and brief periods of uninterruptedness. Once you are in and among the 1,500 words, there are minimal headings, no clutter, no flashing boxes, no bolded outtakes, no bullet-pointed tidbits, nothing distracts you from the words themselves. The typography has allowed the story to take over the words.
One of the specifics I noticed early on is how carefully the editors choose each article, and how each article plays on the other. In short, they removed all the noise and choose with intention. The articles for the most part are a mix of high tech and tradition making for many timeless pieces. These can be read years from now and still remain readable not dated. With only four articles to work with each issue they must go through a crazy culling process of possible articles that fit the mission and vision stated for The Behemoth (summed up as Plumbing the depths of God’s mysterious creation and beauty). The articles included often come from an excerpt of a larger work. At first as you read you may think, “All they did was just copy a piece of this book and stick it in here,” but the result has been like reading a carefully chosen anthology of the best of the best of the unknown. In a day where content is still king, curation of content must be its’ master.
We reside in the age of information and usually think every single thing about every single topic should be a known. It is pretty amazing how the more we know, the more we realize how little we know about how much we actually do know. Scripture is still filled with this awesome wonder. There are great mysteries packed deep into scripture and The Behemoth chooses to display those mysteries to its readers while remaining comfortable with those mysteries, and then allowing them remaining mysterious. After all, we do not have the mind of God (1 Corinthians 2.16), and we should be able to celebrate those mysteries, not always having to explain them away or theorize about them until the second coming. Some things God has hidden from view, and without compromising an orthodox view of scripture, we can look at those mysteries with the awe they deserve. Many of the articles here do the same.
This is where it gets possibly muddy-ish, at least as far as an AIG-theology is concerned (see footnote). Answers in Genesis is a theological site dedicated to apologetics, a defense of the faith (1 Peter 3.15). I love apologetics, it was one of my favorite areas of study in seminary. But as far as I can tell, apologetics is not the main theological focus The Behemoth aspires to achieve, and that’s fine. Not everyone is gifted in apologetics and/or theology. Yet make no mistake, The Behemoth is packed full of rich, deep theological issues. They often view these theological issues from a 35,000 foot level (or even a 135,000 foot level). At that distance, theology can become filled with the beauty of God’s creation in painted colors and glorious views, instead of drilled down to a divisive pinhole debate. I have come to appreciate this stance more and more. In a world of endless criticism and debate you can’t always show the sheer beauty found in sound theology from the micro level. The Behemoth often seems to try to fly high above the fray. 
5. Art and Poetry
The previous four points (yes I included five points semi-on-purpose) have now crafted this last point into being. To this reader, the greatest contribution The Behemoth makes to the Body is the art and poetry it has crafted into being. Its as if they are curating a series of watercolors with four new pieces released every other week. This is why if you look at The Behemoth as a theological treaty you will miss the point. It wasn’t until the eighth issue that I realized what gave this publication the intangible beauty missing in so many things today. When I read Hurrahing in Harvest by English poet Gerald Manley Hopkins the artistic beauty bled through the canvas.
When you combine beautifully designed, well curated, theological artistry that points beyond itself to the greatest wonder of all, the Creator God, you get something really special. Kudos to The Behemoth for coming up with this unique perspective, this artistic expression. It brings the reader to a still meditative reflection proclaiming our enormous God (Psalm 46.10). It really isn’t the words or the editors or the writers or the platform, it is of course that they point us back to beautiful words like these:
The heavens declare the glory of God,
and the sky above proclaims his handiwork.
Day to day pours out speech,
and night to night reveals knowledge.
There is no speech, nor are there words,
whose voice is not heard.
Their voice goes out through all the earth,
and their words to the end of the world.
In them he has set a tent for the sun,
which comes out like a bridegroom leaving his chamber,
and, like a strong man, runs its course with joy.
Its rising is from the end of the heavens,
and its circuit to the end of them,
and there is nothing hidden from its heat.
Please keep moving forward and I’ll keep reading and telling all my friends to go read too.