I love macro photography. True marco 1:1 magnification (or greater) has been a long time favorite of mine for many years. The butterfly in this post was one such shot I took a while back with a Nikon 105mm Macro lens. When Apple announced the new iPhone 13 received a “close focus” lens i was really looking forward to trying it out, yet I rarely remember to use it.
When I do remember to get in close with the iPhone I’m quite pleased with the results. It isn’t true full 1:1 marco photography, but it’s pretty darn close for shots you can take on a phone. The two shots here (not the butterfly of course) were taken of frost on my truck a few days ago. The shot in red was on the hood of the truck, the grey/green was the windshield.
With the pending announcement and release of the iPhone 8, or the iPhone Pro, iPhone X or whatever the new flagship iPhone is going to be called, the photography industry as a whole is once again going to be forced to advance to places it perhaps never considered 10 years ago. Features like dual sensors with different focal length lenses, the possibility of something like “scene selection,” and even the good “old” things like geo-tagging images (why is this still not a standard on all DSLR’s at this point?) will continue to provide space in the market between Apple and the big camera makers. This is probably never more true for Nikon and Canon who, over the last 10 years, have started to look slightly “Nokia-like” in advancements beyond the DSLR. They haven’t completely stuck their proverbial head in the sand, I think they woke up just in time, but it was just far too late for me.
Both companies have started branching out into mirrorless cameras, but it feels like they’re just playing catch up with Sony and Fujifilm, not transformational as in the past decades. Sony and Fujifilm at this point feel like the cutting edge of cameras just beyond the DSLR market, perhaps a bridge between mirrorless and the smartphone. Yes you will be able to shoot DSLR at native ISO-64 (and in probably complete darkness before long), and many other incrimental advancements, but they feel almost forced, and very late.
Of course Nikon and Canon built their empires on the SLR and then the DSLR, so changing business models 10 years ago probably wasn’t even on the horizon. The never ending product cycle of updated models was huge back when digital photography made giant leaps each year rendering previous models ancient worthless dinosaurs. My Nikon D100 I paid $2,000 for back in 2002 is worthless today, and that’s good for Nikon, except I’m no longer buying new models, and that can’t be good for them. I know there are more people like me who have come to the realization that, yes the sensor on the iPhone isn’t a DSLR, it’s never going to capture the same IQ as a full-frame or APS-C sensor, but now, and with the iPhone 8, it’s finally good enough.
I get it. It would have been hard, if not impossible, for them to abandon their cash cow. I just can’t help but think about how those meetings went when they finally decided to divert sizable cash reserves to R&D for some unknown non-DSLR future. Other industries can vouch for similar fates. How about the music industry, newspapers, magazines, point-n-shoot cameras, or when was the last time you bought a flashlight or a calculator, or how about an alarm clock?
Nikon and Canon aside, companies are continuing to think outside the box when it comes to capturing light, and that’s a great thing for consumers. Advancements like Light.co who just released their handheld 52mp 10 sensor point-n-shoot to Apple, maybe Samsung, even Fujifilm to some extent, have changed photography from the few who can (try to) afford big glass and new DSLR’s over and over again, to being completely and totally ubiquitous. In the past 10 years, this change has completely rearranged my thinking about the tools I carry as a photographer.
I’ve been shooting since 1984, and shooting seriously since about 1996 when I started studying photography in college. I made the transition from instant film in the 80’s to 35mm film in the 90’s to digital in 2000 (with a rinky-dink 1mp digital HP point-n-shoot. I was just so excited to be shooting digital I got the first digital camera I could find and afford).
Without getting too much into the technical aspect of image sensors and how many pixels get packed into something on the order of the 1/3.6in (or 3.99mm x 7.21) size sensor of my iPhone 7 Plus, it’s obviously a much smaller sensor than a 35mm full frame sensor. For me, it’s finally come to the point where it doesn’t have to. The results you can get with the iPhone today are well worthy to be called another photographic tool in the camera bag of a serious photographer. The colors have rich tones with little noise. The dynamic range improves all the time, and the editing tools have even moved to more advanced modes including RAW.
My iPhone 7 Plus works for 85% of everything I want to shoot on a daily basis, and since the iPhone 5, that percentage seems to be going up every time a new version comes out. Of course no, I’m not shooting weddings anymore, or senior portraits, or super long exposure astrological events. You can only push the iPhone sensor so far, but those times when I truly miss my DSLR have become fewer and fewer each year.
This year I took the leap to give up my biggest pro mirrorless body in anticipation of the iPhone 8, and I’m ok with that. With the release of the iPhone 8 / Pro and a sensor that can perhaps shoot 4k video along with 1080p in 240fps, with two lenses, wide and mid-focal length, AND take great images, I just can’t justify carrying around anything else in my camera bag (i.e. pocket) on an hourly/daily basis. The best phrase I’ve heard over the years is “the best camera is the one you have with you,” and that is never more true than one that can fit in your pocket.
I started shooting with the first consumer DSLR that Nikon released in 2002, the Nikon D100, and from that time forward I became a pixel counter with the masses. I think must have used every lens and every DSLR that Nikon made between 2002–2015 (minus the D5). That camera, along with the Nikkor 80–200mm f/2.8 was a great, but a super expensive, combination for what I was shooting at the time, aviation photography. My long haul camera combination in that time period was the D7000/D7200 and the Nikkor 50mm f/1.4 lens. That came to be my most used and loved combination that went all over the United States, Uganda, and Europe. I shot well over 100,000 images with that combination, and I loved it. But now, times are different, and where the Nikon D100 cost $2,000 at the time of launch, the iPhone 8/Pro will be half the price, weigh basically nothing, fit in a 6-inch form factor, and is miles ahead in it’s light capturing abilities.
I’ve owned every iPhone model released (basically for the camera), except the 5S, and over the last 10 years I’ve also gone through this DSLR “gear acquisition syndrome” (G.A.S.) that all photographers go through. It’s always been the DSLR is king, and the cellphone is garbage. Now, over a period of just 10 years those two positions have changed dramatically, and with the release of the iPhone 8, to me, the DSLR has been de-thowned for every day use. If you look at the (very unscientific chart above) they have, in my photo bag world, had two opposite corresponding curves. At least for me, the iPhone 8 Pro will solidify that, even before I see the specs on the camera.
The big shift in my mind was when the iPhone 5 came out. The image at the top of this article, a panorama of Jordan-Hare Stadium, has for years now been the best selling image I have ever taken. And it was taken with an iPhone, almost 5 years ago! When the iPhone 6 came out I sold my Nikon gear and moved to the Fujifilm mirrorless X-Pro2 and X70, (a fantastic system), and this year, I’m moving to the iPhone 8/Pro and completely out of the heavy, bulky, expensive cameras.
The term iPhonography has been around a while. I started intentionally shooting with the iPhone camera since the first one was released, and this is just a sliver of what I’ve been able to achieve over the years with that tiny little sensor. That doesn’t even take in account my Instagram, which I loved way back before Facebook even knew it was a thing. Almost every image on that site was shot on some version of the iPhone. And if you want to see some truly amazing work done on the iPhone visit IPPAWARDS and browse their winnersthat span over the 10 year lifetime of the iPhone camera.
The problem with camparing a DSLR to a smartphone though is flawed at best because you aren’t comparing apples to apples so to speak. A better comparison or statement might be what are you giving up? What are the tradeoffs you are willing to make when going from a DSLR to a smartphone?
So I’m less about making a direct comparison of DSLR vs iPhone than I am confirming that, if you are passionate about photography, forget about the gear. Read, study, shoot with whatever you have, and improve every day. Learn why depth of field is important and how to use it. Learn about stops of light, exposure, shutter speeds, and shoot as much as you can possibly shoot. In the mean time, here is some iPhonography favorites of mine so far this year.
I took a break from my blog for a while, which always seems to be the case during the cold dark months of the year. Now that Spring is in full bloom here in Auburn things look so full of life and so colorful it just brings new inspiration to everything. Even though I took a few months off from my blog I still kept writing throughout the winter, but for some reason it always seems to be a little different. I wish I could find a way to better merge my offline writing with my writing here, but it would probably change how I write offline. Anyway, hope everyone is enjoying their springtime colors as much as we are down here in the south.
It’s not like anyone ever wants to remember a 63-21 total blowout like what happened on Saturday, but there is more to life than football, even in the south. I’m not just saying that because we have only one single win against a ULM team we probably should have lost to, I said that in 2010 when we won the National Championship as well. That doesn’t mean people, media, fans, and the like can’t be brutal when Auburn doesn’t win every single game, or a single game, just look at the cover of the OANews below, but it’s still not the end of the world as we know it (just ask the 1952 fans).
There have been a few things this football year that have been interesting and fun. I did finally get a decent shot of Nova, Auburn’s Golden Eagle from the Raptor Center (below), and last Saturday we have 4 F-16’s do a flyover at the game for military appreciation week. The flyover was rare for Jordan-Hare Stadium lately (see my iPhone video of the flyover here), I can’t remember the last one we had, and they actually didn’t really even fly that low and loud either. I didn’t stick around for the parachuting team that jumped at halftime in the dark blustering cold, but all the military appreciation fanfare was outstanding. This may have been a day to forget the score and the game forever, true, but it’s fall in the south. We were blessed with being able to see with our eyes and hear with our ears yet another day the Lord had made.
There is nothing quite like a stadium full of 87,451 fans creating a sea of orange and blue. It actually doesn’t happen all that often, and it’s even harder to capture all 87,000 people in one single photo. My expectations for the rest of the season are very low at this point, but that’s ok, Auburn is still Auburn, and while there are many reasons why I love this town, football is one. Ever since the iPhone 5 came out this shot above is the very shot I had in my mind for the new panorama feature, and I finally got to take it during the Auburn vs Arkansas game. The result is something that can only be seen with a very wide angle lens, or in a stitched panorama shot of the stadium, from the south end zone. I loaded a full size high-res version here if you want to take a look at the shot at full size.
It does take a little practice to get a decent panorama shot using the new iOS 6 camera feature, but with some practice you can really get some great shots that you can’t get without a lot of work and specialized skills otherwise. My first real professional attempt was done at this scenic vista in Colorado called Lake City back in 2008. That setup required an elaborate (but well worth it) set of tripods, panorama ball heads by Markins (an outstanding ball head), levels, and some good knowledge of Photoshop to be able to stitch together the final panorama product. Today, a mere 4 years later, it’s a much different landscape with the iOS 6 option where the software allows you to take the shot above, automatically stitching together a series of shots taken simultaneously.
If you have your own iOS 6 panorama example leave it in the comments below. I’m going to offer a how-to on the iOS option down the road, but for now, stadiums make a great subject.