This is a continuation of my series, airports and a 50mm lens. Since I was in Europe this time I didn’t really get quite a much material as I normally do in a place like Atlanta. For one thing, once I get outside the United States shooting [photos] in an airport isn’t quite the same. The laws are different all over the world. I know what I can and can’t shoot in the U.S., and I can stand my ground in most cases in my own country. Not so much once I get outside the U.S., so this series changes a bit, to err on the side of caution.
Europe is usually ok about photographers as long as you aren’t obnoxious and you don’t look too suspicious but Entebbe is another story. I didn’t take hardly anything once we landed over there but on my next trip I know on the way back home there are a few things I would like to capture. I’ll see. In October I may be as tired as I was when we left in August, but EBB right now is about one single shot.
Here is a quick shoot of Amsterdam. There was a lot I didn’t get since our connection was so short, but next time I have a 5 hour connection so I should be able to improve upon this shoot. If you are wondering what’s the point… well, I actually consider this street photography, something I have really come to love over the years. Trying to capture a mood, or an expression, without someone standing in front of you going “smile” isn’t always the easiest thing to do, but sometimes it’s just more genuine. To me it shows a more realistic view of life. Everything in this (and all my 50mm airport series) is shot with one single focal length lens (obviously a 50mm), and to me, it tells a totally different story than the post from Atlanta 8 hours earlier told.