This is for the WordPress Weekly Photo Challenge of Purple. I hate posting the same old thing, and trying to find unique and creative ways to do things is just one thing I love about photography. The photo above happens to also serve as my Project 365 photo for Day 243, getting closer and closer to that 300 day mark. If you are wondering how I did this, great, because it’s not that hard, but does take some patience and a bit of prep work. Every time I do this kind of photography it always turns out different, which makes it a unique technique to try.
The image above, and the other below, are simply a mixing of ordinary cooking oil, and tap water, placed together in a glass cooking bowl or cake pan. Making the colors is the fun part, you can be creative here, use food coloring, fabrics, a colored bowl, or like I did here, just different colors of copy paper. Here I used two yellow and two purple pieces of paper off-set with each other where they all came together in the center. That is how you get that the bubbles with a mix of different colors. To use paper, you just place is under a clear glass bowl, to use food coloring, just place a white piece of paper under a clear bowl.
The hard part is getting the focus to work because there are several different focal points, like the bottom of the bowl, the water, the bubbles, and paper under the bowl and so on. In this case, I used a Nikon D7000 camera body, a Nikkor 50mm f/1.4 lens, mounted on a Nikon PK-13 (27.5mm) extension tube (extension tubes are really cheap if you have a DSLR). Using an extension tube is a way to do macro photography without having to buy an expensive macro lens. If you try to use an extension tube, just keep in mind the lens will have no aperture value, especially if you are using a newer lens with no aperture ring. You will only have the ability to change the shutter speed to gain the proper exposure, and the focus will be very very narrow.
I will say that purple is one of the most difficult colors to shoot photographically in the digital age. The color tone always wants to shift blue, so getting a true purple is actually very difficult. I did try this out last year, and got totally different results, but you can see those at Testing the Oil and Water Theory Close Up. So this is my interpretation of “purple” for this week. See you here again next week with whatever the theme happens to be next week.
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Today we (Cornerstone Church) sent off two staff members (Brian and Jack in the red and green shirt center above) to Uganda for a short business trip. Right now as I write this they are high over the Atlantic on their way to Amsterdam then on to Africa. This has pretty much become an annual planning trip for our church to prepare the way for our mission teams who will travel to Uganda later this year. For the last several years we have sent 3-4 teams a year to Kampala, Uganda to work in and around Kampala, Gaba, and Buloba. Most recently we have partnered with a mission group out of Atlanta called Sixty Feet who are trying to work in a few remand homes in Uganda (see Uganda photos from a previous trip of mine).
This year, once again, we have 3-4 teams including the one above, who will head over to Uganda to partner with our brothers and sisters in sharing the love of Christ with others. Today this photo is my Project 365 image for Day 155 (full gallery here), can’t think of a better photo of the day today than this.
So we are in the Mile High city for a few days for the birth of our second grandson, Luke, but while we are here we get to take a side trip over to Colorado Springs and visit with a ministry group there. On a side note, there are an amazing number of ginormous ministry groups here in Colorado Springs, like Focus on the Family, Compassion International, Promise Keepers was at one point, and so on… amazing. We are going to get to talk about the kids in our sponsor program from Cornerstone like the girl you saw in my previous post. I’m always excited to get to talk to people when it deals with ministry and photography at the same time. It’s one thing to get to work in an area you are passionate about but it’s really fantastic when you get to combine two passions together, even if it’s just to talk about future possibilities.
So, quick photo of the day above, which is actually from yesterday. We ended up landing in Denver in horrible weather (which is rare out here). It’s also freezing out here, well, it’s not 100*F out here, but all the resort towns are expecting snow this weekend. Until next time…
This is a continuation of my series, airports and a 50mm lens. Since I was in Europe this time I didn’t really get quite a much material as I normally do in a place like Atlanta. For one thing, once I get outside the United States shooting [photos] in an airport isn’t quite the same. The laws are different all over the world. I know what I can and can’t shoot in the U.S., and I can stand my ground in most cases in my own country. Not so much once I get outside the U.S., so this series changes a bit, to err on the side of caution.
Europe is usually ok about photographers as long as you aren’t obnoxious and you don’t look too suspicious but Entebbe is another story. I didn’t take hardly anything once we landed over there but on my next trip I know on the way back home there are a few things I would like to capture. I’ll see. In October I may be as tired as I was when we left in August, but EBB right now is about one single shot.
Here is a quick shoot of Amsterdam. There was a lot I didn’t get since our connection was so short, but next time I have a 5 hour connection so I should be able to improve upon this shoot. If you are wondering what’s the point… well, I actually consider this street photography, something I have really come to love over the years. Trying to capture a mood, or an expression, without someone standing in front of you going “smile” isn’t always the easiest thing to do, but sometimes it’s just more genuine. To me it shows a more realistic view of life. Everything in this (and all my 50mm airport series) is shot with one single focal length lens (obviously a 50mm), and to me, it tells a totally different story than the post from Atlanta 8 hours earlier told.
I have this random series I have done on my blog for years called “airport in 50mm” that looks photographically at a particular airport with just a 50mm lens. I did this for this last trip except for the airport in Entebbe where I wasn’t sure if I would get shot by the guy holding the M-16 for taking a photo but I was pretty sure they would confiscate my camera and or SD card so I skipped that one, maybe when I go back. I always find it fascinating that you can take photos of the same place but capture a totally different perspective each time, but they always are because every day brings to live a new perspective (see the last Atlanta post). This was the first stop along an extremely long set of flights from Atlanta to Amsterdam to Entebbe. Each image was taken with a 50mm prime lens.
Today was a much needed day to do nothing but sit at home and read and enjoy a day off, so Ebby and I sat out on the patio and read and did much of nothing. Funny, this is pretty much what she does on a daily basis, to her there was no difference today than there was yesterday except maybe more time with me and less time with Deborah. Looking forward to the fireworks in Auburn tonight. If you are in Auburn and haven’t been yet it’s always a good show (see some shots from a previous year). Don’t think I am going to have the energy to post the fireworks photos from tonight after we get home but they will be up in the next few days. Enjoy tonight and get out and see some fireworks celebration in your area if you can.
The Photo of the Day today is of Mike Fisher who got his first chance to play guitar with the main worship band. It was pretty cool to see Mike playing with the worship band today, and although there is always almost no light in the worship area it does make for a more dramatic shot. I love the low light stuff, deep shadows and small reflections, like the light bouncing off Mike face in the second shot. Congrats on your gig this week Mike, keep moving forward.
On my recent trip to California I decided to continue my 50mm airport series I started a while back. I generally carry all my equipment with me on the plane since a lost bag will result in a non-existent photo shoot, and a few trips ago I started trying to get the creative juices flowing by using one camera and one single fixed focal length lens (a standard 50mm) to cover each new airport.
This past week the new airport was Orange County’s John Wayne Airport (SNA). I have usually flown into LAX and since I had not been to John Wayne in a while, it was next on my photo list (ATL has long since be shot, see my post Atlanta Airport Photos and a 50mm Lens // Part 1, if that is your interest). For the extremely busy location of southern California, Orange County is a great place to fly in and out of and almost has the feel of a Midwestern Lubbock or Amarillo feel to it as far as the traffic goes. I also didn’t get harassed by security, police, FBI, or any other uncomfortable PAX in the area, wonderful.
This the third and final part of my airport in a 50mm lens perspective (see ATL part 1 and DEN part 2), at least until I jump on another plane and end up at an airport other than ATL, DEN, and MIA. Miami was the most difficult out of the three to shoot. It was hot, humid (yes I was inside), very very crowded, and all under construction.
That just means I had to look around more than I usually do and find something that said this was MIA and was (to me) photographically pleasing. For this post, I chose these 4 images below.
I love the second shot, the plane. This old plane was restored and hung from one of the walks between terminal buildings. What caught my attention was the print just below the name of the pilot.
Passengers travel in this vehicle at their own risk
I did find one nice architectural images of this roof line which seemed to open like a bottle top. I would have preferred to get the faces of the travelers but in an airport you must be wise when holding the camera. With so many irritated passengers around every bend waiting for delayed flights, I wasn’t real interested in inflaming the minds of many.
I always liked the Miami airport. So much diversity even in the airport itself, but modernizing the terminals (which they are doing) would also make it a nice place to fly into while waiting for a long connection. All images in each part of this shoot were taken with a Nikon D700 (in full frame FX mode), hand held, with a 50mm Nikkor f/1.4 lens. Comments, suggestions, critique, or criticism are all welcome. These are shown in the order they were taken.
To see the larger sizes all at once just click on the first image to open the light box gallery and you can scroll through the larger sizes that way.
This is the second part of a three part series on three airports I photographed in 50mm. The first was Atlanta (ATL), Atlanta Airport and a 50mm Lens // Part 1, this one being Denver (DEN), and the last will be Miami Airport (MIA).
All images in each part were shot with a Nikon D700 (in full frame FX mode), hand held, with a 50mm Nikkor f/1.4 lens. Comments, suggestions, critique, or criticism are all welcome. These are shown in the order they were taken. To see the larger sizes all at once just click on the first image to open the light box gallery and you can scroll through the larger sizes that way.
Some of you may know I use to work in the airline industry, once had my pilot’s license, and traveled quite a bit, so I was trying to do something a little different this time. Many times you go to a place you have been many many times and you see nothing worthing of photography, but that is rarely the case.
I forced myself to look around and see what made my current environment special, and many times you have to get creative. The fountains are the center point of the lower floor of the common area, but completely surrounded by terrible backgrounds.Â In Denver, a newer airport, one thing stood out, the roof. I have flown in and out of Denver many times and never really paid attention to the architecture of the roof. It is obvious driving to DEN from anywhere in Denver. A large white tent like structure that towers over the flat landscape.
The last one is simple but that’s what I like about it. There is a certain amount of peace at 35,000 feet when you have no control over anything. The sky turns from haze on the ground to an almost black of space above.